A Painter Who Defied Every Odd
Moses Tladi was born in 1897 in the village of Lobethal, Limpopo Province, South Africa. In an era when Black South Africans were systematically excluded from the arts, Tladi taught himself to paint — using house paint and a stick in a modest garden in Johannesburg.
In 1931, he became the first Black South African artist to exhibit at the National Gallery in Cape Town. His landscapes — dramatic renderings of the Drakensberg mountains and the Limpopo bushveld — were executed with a sensitivity and technical skill that rivalled any of his white contemporaries.
Yet history nearly forgot him. In 1956, the apartheid regime's Group Areas Act forced Tladi from his home. He was exiled to Soweto and never painted again. He died in 1959, his work scattered, his name fading from memory.
"Tladi opened museum doors for Black artists. His legacy is not just in his paintings — it is in every Black South African artist who followed."
It was not until 2015, with the landmark exhibition Moses Tladi Unearthed at the Iziko South African National Gallery, that his work was finally restored to its rightful place in art history.
Moses Tladi, Mountain Landscape, oil on canvas
Moses Tladi, Mountain Landscape (Mont-aux-Sources)
From Art History to Action
The Moses Tladi Charitable Foundation was founded in 2019 by the descendants of Moses Tladi, with a clear mission: to honour Tladi's legacy not by preserving his paintings in galleries, but by giving the children of his homeland the creative tools he never had.
In 2018, Alfred Mangoato, Principal of Lobethal Primary School, reached out for help. His learners — many from homes with no phone, television, or computer — were being left behind in the fast-developing digital world. A mobile phone was a novelty to them.
The Foundation responded. Redmaids' Girls' Junior School in the UK sent 10 tablets. Teachers on both sides of the world began collaborating. And a new chapter began — one where Tladi's name would once again open doors, this time for the children of Ga-Phaahla.
What We Believe
Digital Literacy
Every child deserves access to the digital tools and skills that define the modern world. We provide tablets, WiFi, and ICT training to rural schools where these resources are otherwise unavailable.
Visual Arts
Tladi was a visual artist who changed history with a brush. We believe every child has that same creative potential — and we give them the digital canvas to express it.
Global Connection
We connect rural South African schools with partner institutions in the UK and beyond — creating cross-cultural learning experiences that broaden horizons for children on both sides.
Our Board of Trustees
Meet the people who govern MTCF and direct how the charity is managed and run. Registered Charity No. 1184903.
Mmapula Tladi Small
Founder & Chair
Daughter of Moses Tladi and custodian of his legacy. Mmapula has dedicated her life to preserving her father's artistic heritage and ensuring that the children of Ga-Phaahla have access to the creative and digital tools that can transform their futures. She leads the Foundation with a deep personal commitment to honouring Tladi's name through action, not just memory.
Our Full Board
Trustees
- Elaine Daniel
- Daniela Corrodus – Patterson
- Shola Adewale – Sandy
- Ronald Small
- Tladi Small
Our full board includes educators, arts professionals, and community leaders from both South Africa and the UK.
Financial Transparency
We believe in complete openness about how we raise and spend funds. Every pound is accounted for.
Annual Report 2025
Full financial statements, impact review, and trustee report for the year ending 31 December 2025.
Download PDF (2.4 MB)Annual Report 2024
Financial statements and impact review for the year ending 31 December 2024.
Download PDF (2.1 MB)Annual Report 2023
Inaugural annual report covering the Foundation's establishment and first programmes.
Download PDF (1.8 MB)Be Part of the Next Chapter
Five schools in Ga-Phaahla are waiting. Every day without tablets is a day a child falls further behind. This is not inevitable. This is solvable.